Well, what a difference a day makes. Perhaps springtime is finally, finally on its way. The crocuses that the gardener’s nephew at Blenheim Palace slipped into my pocket are spiking out green and tentative from the nubbly pot of soil in the corner of my bedroom. The nail I brutally smashed in the dairy’s office door at closing time on Christmas Eve after three too many Irish coffees has almost fallen off, with a suspicion of strange, pinkish, mother-of-pearl baby nail growing warpedly underneath. And in Belgium this weekend I got a bad dye job and an even worse haircut, a typical sign of spring for me. Amélie, Eléna and I even briefly renewed acquaintance wtih the sun, until the cloud morass looming above swallowed it up and spat out hailstones the size and weight of marbles, pelting us relentlessly until we adjourned to the nearest café for a mid-day festin of fil américain and carafes of cheap white wine.
Of course, by writing this, I’ve probably jinxed myself. What was that, Punxsutawney Phil? Six more bloody weeks of winter?
by Stephen Beaumont and Janet Forman for The Globe and Mail
BRUSSELS -- Although rarely heralded as
such, Belgians are as gastronomic a breed as their neighbours in France
and Italy, possibly more so. It is said the people of Belgium spend
their mornings deciding what to have for lunch, their afternoons
pondering dinner, and their evenings reflecting on the day's dishes and
anticipating the morrow's.
For a place I’ve never really lived in, Belgium does an
unexpectedly good job of making me feel like I’ve come home. Having relatives there helps; the landscape
feels familiar; and I’m unnecessarily offended when someone speaks ill of
Brussels, which is NOT BORING. Marie had
made frites with dinner, Amélie and I
afterwards went to Tournai for a few beers, and the five-domed cathedral loomed
comfortably over us as we spinned tipsily over narrow cobblestone roads. Once home we flipped through the onionskin
pages of old photo albums and pissed our pants laughing over my red glasses and
buck teeth and Amélie’s frizzy side ponytail and leggings and Caroline looking
like a boy for, like, ten years. Really,
people, it’s not funny to dress kids up like puppets.
The next day Amélie and I spent an absurd amount of time
constructing centerpieces for the table out of leaves gathered from the garden
and chestnuts and autumnal gourds. We
took a walk in the dewy, dripping countryside, the haze daubing everything
green in silver. In the evening my
parents and grandparents and godmother and everyone else came to Tournai and we
ate ourselves into oblivion: Marie’s green-bean salad and Thai curry and my
British and French cheeses and Isabelle’s tartes. Mainly it was the feeling of family that
sated, though. We were all full.
Eric Van Keerberghen and his children Aline, Julie and Guillaume have been a part of the family for years.They come to An necy every summer.They spend every Christmas with us.And they don’t hesitate to criticize, prod, encourage, and hug the way any other Dalcq feels entitled to.So it was only natural that Eric married my aunt Marie last weekend.
I came in from Eng land on Friday night after a ridiculously weighted workweek and a failed attempt to attend Hen ley to watch Bears row.Amélie picked me up and on Saturday morning we festooned ourselves with all our feathered finery and headed for Tournai’s town hall, where the mayor’s representative married the happy couple.Champagne corks spouted and bubbly flowed; rice was tossed, cheeks kissed, photos snapped, acquaintances renewed…all the happy snappies that happen at a wedding.
I
come from a line of extremely fastidious women. When I was ten my
cousins and I collaborated on a drawing of my grandmother. We titled it
“Post-It-O-Saurus” and it was a picture of a Post-It-wielding dinosaur
that was supposed to represent her.
We
have ample evidence to back this allegation. Any drawer you open in
this house; any cupboard door, any machine you pick up and look
under—guaranteed there's a Post-It stuck to it detailing how it works,
where it came from, and from whom. (Her children recently got her a red
leather ‘Post-It wallet’ from Delvaux, with a miniature pen
attached—she was thrilled.
My Mother, My Mirror
Living your Anger
Helping Yourself
Nervous Depression and the Body
Unblock Your Emotions
Stop being Nice, Be Real
Intimate Death
The Art of Dying
God?
Albert?
Neither Marx Nor Jesus
All Gods are Not Equal
Poor People’s Problems
I
set my alarm for 0400 Christmas Eve. I had to be at work by five, and
wanted to make sure I’d have enough time to finish packing and assure
the cleanliness of Alisha’s kitchen floor, which I’d found carpeted by
soapsuds the evening before after I put hand soap in the dishwasher
following a fruitless search for pellets.
It was still dark, and the
bus was late, but by 0500 I was at the dairy brewing instant coffee the
strength and approximate taste of rocket fuel. Bleary-eyed and
stumbling, still smelling last night’s cigarettes and beer in my hair,
I went upstairs, scrubbed my wellies, snapped on my sexy hairnet, and
set to sorting out the bread deliveries. Even at god-awful hours of the
morning the smell of fresh bread puts me in a good mood; sometimes the
Puglieses, the spelt Sultanas, and the Poilânes are still warm, which
makes life even better. After an hour of organizing bread, Roy helped
me haul two dozen oozing Stiltons onto a shelf outside for people who
didn’t want to join the half-hour queue to enter the store. Stilton
defies the rules of marketing. It reeks, seeps a vile, putrid
liquid—it’s just ugly, all around. But at Christmas in London, it sells
by the truckload.
Had
a flash of feeling really American in Bohan-sur-Semois the other day. I
was on my way to a butcher’s whose address was “Rue de l’Eglise 44,” or
44 Church Street, and all the streets in the village were unmarked, or
seemed to be. In front of a church I rolled to a stop beside a woman
carrying a shopping bag and a little boy. “Excuse me,” I asked, “but do
you know where I could find the Rue de l’Eglise?” “I’m not from here,”
she said, “but there’s a church right there, so we must be near it.”
I’d seen the church, of course. But it hadn’t occurred to me that
Church Street would naturally be close at hand. How often in the States
is any Miller Lane near a mill? When are Cypress Streets ever lined
with cypresses? Maybe in other parts of the US—but certainly not in
Miami.
Anyway, the butcher was right in front of the church. And when I walked
in, the girl behind the counter, who was waiting on someone, took one
look at me and called to an open door behind her, “Dad, she’s here.”
These meetings are always awkward at first. The artisans, I think, are
somewhat cowed by the fact that an American has showed up to follow
them around. Isa, the daughter, confided later, “We wondered what you’d
be like. Would you speak French? Would you be nice? What were your
motivations for coming?” I’ve learned to look at people’s hands before
I stick mine out for a shake, because if theirs is covered with flour
or blood or butter we both feel like idiots. Praising the landscape,
which is no-lie beautiful, always breaks the ice. Telling them
straightaway who I am and what I’ve come to do puts them at ease too,
as does thanking them for having me. Hearing that my mother’s Belgian
greases the wheels. And when I pull the chocolates out of my bag, then
we’re really best friends and I can sit down and have some coffee. The
only thing that I still haven’t totally figured out is the vous/tu
(formal/informal tense). I always speak to the artisans formally, to be
on the safe side, but often they’ll start ‘vous’ with me and then
switch to ‘tu,’ and I’m never sure how to reciprocate or at which point
to switch. Everyone notices nuances like these, but no one ever talks
about them.
Mr.
Raymond Sizaire has the most mesmerizing face I’ve seen in weeks. His
forehead is scored with two deep grill marks, as if he’d been smacked
twice with a red-hot shovel. Later he tells me they’re from the
birthing forceps. “I weighed six kilos when I was born,” he says. “Now
I’m a little more, but it’s all muscle.” He pats his belly. “Except for
here!” His shoulders shake, and bellows of mirth quake the house to its
rafters. Through fat lips I can see tobacco-stained teeth spaced wide
enough apart to stick coins through, but it’s a solid, candid smile.
Eyebrows the size of my thumbs, grizzly and renegade. And one eye is
blue and kind, but the other one, well, it’s shrunken, and entirely
white. No iris whatsoever, and the eyelid shrivels in on itself. He
looks a little like James Beard after losing a fight with a pirate.
Since my most recent investigations have taken me into deep, deep Belgium, I’m spending the night at my great-aunt Jacqueline and great-uncle Roger’s country house in Chassepierre, because if Amélie’s car has to drive one kilometer more than it has to its wheels will fall off. Roger and Jacqueline’s house is an old farm on the border with France, near where Voltaire’s revolution-era tracts were published (to avoid royal scrutiny he had to be close to a border). They’re here right now with a three of their six grandkids because it’s La Toussaint, or All Saints’, a weeklong holiday in Belgium (every November 1st, families meet at the cemetery to clean and flower their ancestors’ graves, with lunch and drinking afterwards). We had raclette and then sat by the fire, talking about the past. I thought it was fascinating, so I’ve transcribed what I remember. Warning: it’s late as hell and I had too much wine with dinner. But if oral history interests you like it does me, read on.